{"id":9979,"date":"2022-03-08T13:06:57","date_gmt":"2022-03-08T13:06:57","guid":{"rendered":"https:\/\/www.mirora.com\/?p=9979"},"modified":"2025-01-15T10:19:00","modified_gmt":"2025-01-15T07:19:00","slug":"arapca-ceviri-nedir","status":"publish","type":"post","link":"https:\/\/mirora.com\/tr\/arapca-ceviri-nedir\/","title":{"rendered":"Arap\u00e7a \u00c7eviri Nedir"},"content":{"rendered":"\t\t
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Seyahate \u00e7\u0131kmadan \u00f6nce hesap kitap yapar, bavulumuzdaki e\u015fyalar\u0131 toparlar hatta \u00e7o\u011fu zaman \u201cevet, haz\u0131r\u0131m art\u0131k\u201d dedikten sonra bile o bavulu yeniden a\u00e7ar, ya e\u015fyalar\u0131m\u0131z\u0131 \u00e7\u0131kart\u0131r ya da e\u015fya \u00fczerine e\u015fya y\u0131\u011far\u0131z. Arap\u00e7a \u00e7eviri<\/strong> d\u00fcnyas\u0131n\u0131n, Arap\u00e7an\u0131n niteliklerini de \u00f6\u011frenmeden \u00f6nce k\u0131saca tarihine girmezsek bavulumuzun kapa\u011f\u0131n\u0131 asla kapatamayaca\u011f\u0131m\u0131z bir \u00e7\u0131kmaz\u0131n i\u00e7ine gireriz. Arap\u00e7a \u00e7eviri d\u00fcnyas\u0131n\u0131n temelleri Hz. Muhammed\u2019in (570-632) ya\u015fad\u0131\u011f\u0131 d\u00f6nemde at\u0131lmaya ba\u015flanm\u0131\u015f. Bu d\u00f6nemde \u0130slam\u2019\u0131n yayg\u0131n hale getirilmesi amac\u0131yla Arap\u00e7a \u00e7eviri h\u0131z kazanm\u0131\u015f ve yabanc\u0131 dillerin \u00f6\u011freniminin te\u015fvik edilmesi ve farkl\u0131 \u00e7evirmenlerin ortaya \u00e7\u0131kmas\u0131yla birlikte de Arap\u00e7ay\u0131 hi\u00e7 konu\u015fmayan toplumlarda (Yahudiler ve Romal\u0131lar) bile \u00f6nemli bir k\u00fclt\u00fcr, aktar\u0131m arac\u0131 haline gelmi\u015f. Ayn\u0131 zamanda Ba\u011fdat\u2019\u0131n kurulmas\u0131nda etkin rol alan \u0130kinci Abbasi Halifesi Mans\u00fbr (750-1250) \u00e7eviri eylemine y\u00f6nelik uygulamalar\u0131 ve teknikleri geli\u015ftirmek ad\u0131na \u201cBait Al Hikma\u201d<\/em> ad\u0131nda k\u00fc\u00e7\u00fck bir \u00e7eviri b\u00fcrosu kurmu\u015f ve genellikle Yunan Felsefesine, Hindistan\u2019da bilim alan\u0131nda yap\u0131lan \u00e7al\u0131\u015fmalar\u0131 konu alan eserlere ve \u0130ran edebiyat\u0131na ili\u015fkin \u00e7evirilere \u00f6nem verilmi\u015f. Arap\u00e7a \u00e7eviri tarihiyle k\u00fc\u00e7\u00fck bir giri\u015f yapt\u0131\u011f\u0131m\u0131z makalemize Arap\u00e7a ve T\u00fcrk\u00e7e dil yap\u0131lar\u0131n\u0131 inceleyerek, \u00e7eviriyle k\u00fclt\u00fcr aktar\u0131m\u0131 aras\u0131nda bir ba\u011flant\u0131 kurmaya \u00e7al\u0131\u015farak devam edece\u011fiz.<\/span><\/p>\n

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Arap\u00e7a ve T\u00fcrk\u00e7e \u00c7eviri \u0130kilisi<\/span><\/strong><\/h2>\n

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Arap\u00e7a T\u00fcrk\u00e7e \u00e7eviri <\/strong>ikilisi yap\u0131sal bak\u0131m\u0131ndan \u00e7eviri s\u00fcrecini farkl\u0131 bir boyutta etkilemektedir. Bu ba\u011flamda \u00e7eviri eyleminden bahsederken \u00e7evirmenin \u00e7\u00f6z\u00fcmler \u00fcretmek zorunda kald\u0131\u011f\u0131 bir s\u00fcre\u00e7 i\u00e7inde oldu\u011funu da s\u00f6ylemek gerekir. Bu, \u00fcst\u00fcnde durulmas\u0131 gereken hassas ve \u00f6nemli bir konudur \u00e7\u00fcnk\u00fc hal\u0131n\u0131n alt\u0131na s\u00fcp\u00fcr\u00fcld\u00fc\u011f\u00fc takdirde genellikle \u00e7evirinin sanatsal, kar\u015f\u0131 k\u00fclt\u00fcrde yeniden yarat\u0131m yetisini g\u00f6rmezden gelmi\u015f oluruz. Fakat interdisipliner d\u00fc\u015f\u00fcnerek mesela kar\u015f\u0131tsal \u00e7\u00f6z\u00fcmleme (constrastive analysis) disiplinine ba\u015fvurarak \u00e7eviri yap\u0131lacak dillerin yap\u0131sal z\u0131tl\u0131klar\u0131n\u0131 inceleyip kar\u015f\u0131la\u015ft\u0131rabilir ve g\u00f6remedi\u011fimiz noktalar\u0131 ke\u015ffetmeye ba\u015flayabiliriz. Bunun i\u00e7in zaman ve emek gerekir ki zaman\u0131n u\u00e7ucu oldu\u011fu bir sistemde ya\u015fad\u0131\u011f\u0131m\u0131z\u0131 d\u00fc\u015f\u00fcn\u00fcrsek, bu niteli\u011fe ula\u015fmak art\u0131k pek de m\u00fcmk\u00fcn gibi g\u00f6r\u00fcnm\u00fcyor. Fakat bu z\u0131tl\u0131klara de\u011finerek, okuyucu kitlemiz i\u00e7in en az\u0131ndan bir umut oldu\u011fumuzu d\u00fc\u015f\u00fcn\u00fcyoruz.<\/span><\/p>\n

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\u00c7eviri s\u00fcrecinde \u00e7evirmeni ta\u015fl\u0131 bir patikaya sokan nedenlerden biri; \u00e7evirmenin \u00e7al\u0131\u015ft\u0131\u011f\u0131 dil \u00e7iftinin birbirinden \u00e7ok farkl\u0131 yap\u0131larda olmas\u0131d\u0131r. Bu konuyu T\u00fcrk\u00e7e ve Arap\u00e7a ba\u011flam\u0131nda kar\u015f\u0131la\u015ft\u0131rd\u0131\u011f\u0131m\u0131zda durum nas\u0131l acaba? T\u00fcrk\u00e7e, Ural-Altay dil ailesi grubunun Altay kolunda yer alan, sondan eklemeli bir dil. T\u00fcrk\u00e7ede kullan\u0131lan kelimelerin k\u00f6k\u00fc eksiz ve kelime k\u00f6k ve g\u00f6vdelerden olu\u015fuyorken, t\u00fcretme eylemi de hep yeni eklerle yap\u0131l\u0131yor. C\u00fcmle yap\u0131s\u0131na genel hatlar\u0131yla bakt\u0131\u011f\u0131m\u0131zda ise \u00f6zne fiilden \u00e7o\u011funlukla \u00f6nce geliyor ve genellikle belirten (tamlayan) belirtilenden (tamlanandan) \u00f6nce geliyor. C\u00fcmlemizin as\u0131l eylemi de \u00e7o\u011funlukla sonda yer al\u0131yor. T\u00fcrk\u00e7e s\u00f6z diziminin (sentaks\u0131n) en esnek oldu\u011fu dillerden biri. \u00c7arp\u0131c\u0131 bir \u00f6rnek verelim:<\/span><\/p>\n

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\u201cAdam kaplan\u0131 \u00f6ld\u00fcrd\u00fc\u201d;<\/span><\/p>\n

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\u201cAdam \u00f6ld\u00fcrd\u00fc kaplan\u0131\u201d;<\/span><\/p>\n

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\u201cKaplan\u0131 adam \u00f6ld\u00fcrd\u00fc\u201d;<\/span><\/p>\n

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\u201cKaplan\u0131 \u00f6ld\u00fcrd\u00fc adam\u201d;<\/span><\/p>\n

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\u201c\u00d6ld\u00fcrd\u00fc kaplan\u0131 adam\u201d;<\/span><\/p>\n

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\u201c\u00d6ld\u00fcrd\u00fc adam kaplan\u0131\u201d<\/span><\/p>\n

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Vurgulamalar\u0131n yeri anlam\u0131 da farkl\u0131la\u015ft\u0131rabilir elbette ama bu \u00fc\u00e7 c\u00fcmledeki \u00f6nerme hep ayn\u0131d\u0131r. Sadece vurgulanmak istenen \u00f6zne mi, y\u00fcklem mi, nesne mi sorular\u0131 de\u011fi\u015febilir. Arap\u00e7a ise Sami dilleri ailesinin bat\u0131 koluna ba\u011fl\u0131 ve yap\u0131sal olarak sesli harfleri i\u00e7inde bar\u0131nd\u0131rm\u0131yor. Hatta \u00fcnl\u00fc sesler de \u201chareke\u201d ad\u0131 verilen bir sistemle olu\u015fturuluyor. Dillerin i\u00e7indeki sistemler sistemleri do\u011furuyor, bizden demesi. Yani \u00e7evirmenlerin i\u015fi ger\u00e7ekten\u2026 zor. Hatta bu hareke sisteminde toplam sekiz temel i\u015faret bulunuyor mesela Fetha<\/em> (\u0641\u062a\u062d\u0629\u200e\u200e), Damma<\/em> (\u0636\u0645\u0629) gibi\u2026 Arap\u00e7an\u0131n, T\u00fcrk\u00e7e dil yap\u0131s\u0131na g\u00f6re dizimi tam z\u0131tt\u0131r: Eylem ba\u015fta bulunur ve cinsiyet fark\u0131 g\u00f6zetilir. Kelimelerin seslendirilmesinde ve c\u00fcmle i\u00e7inde nerede yer alaca\u011f\u0131n\u0131 belirlemede g\u00f6rev alan hareke sistemi d\u0131\u015f\u0131nda fiiller harflerin t\u00fcr\u00fc bak\u0131m\u0131ndan sahih ve mu\u2018tel olarak ikiye ayr\u0131l\u0131r. Diller derya deniz gibiler, alfabelerden olu\u015fan, toplumlar\u0131 ve k\u00fclt\u00fcrleri yans\u0131tan, ya\u015fay\u0131\u015flar\u0131 aktaran dillerin yap\u0131lar\u0131 ise iki dil aras\u0131nda yeni bir olu\u015fum yaratan \u00e7eviri eyleminin ne kadar \u00e7aba gerektirdi\u011fini bizlere hat\u0131rlat\u0131yor; her defas\u0131nda.<\/span><\/p>\n

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Arap\u00e7a \u00c7eviri ve K\u00fclt\u00fcr<\/span><\/strong><\/h2>\n

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Arap\u00e7a \u00e7eviri<\/a> ve k\u00fclt\u00fcr ba\u011flam\u0131na k\u0131saca de\u011finerek makalemizi sonland\u0131rmadan \u00f6nce \u00fcnl\u00fc Rus yazar Korney \u00c7ukovski\u2019den bir al\u0131nt\u0131 yapmak istiyoruz. \u00c7ukovski \u201cY\u00fcce Sanat\u201d eserinde \u00e7evirmenleri \u015f\u00f6yle ele\u015ftirir: \u201cK\u00f6t\u00fc \u00e7evirmenler beyinlerine giden az orandaki kandan muzdaripler ve \u00e7evirdikleri metinler de kendileri gibi bitkin, az beslenmi\u015f olur. Bir Hemingway, Kipling, Thomas Mann veya ba\u015fka canl\u0131 kanl\u0131 bir yazar\u0131n bu anemi hastalar\u0131n\u0131n eline d\u00fc\u015ft\u00fc\u011f\u00fcn\u00fc d\u00fc\u015f\u00fcn\u00fcn\u00fcz! G\u00f6r\u00fcnen o ki bunlar\u0131n tek derdi bu dehalar\u0131n eserlerinin kan\u0131n\u0131 nas\u0131l emip kans\u0131z b\u0131rakacaklar\u0131d\u0131r. B\u00f6yle \u00e7evirmenlerin zavall\u0131, yoksul bir s\u00f6zl\u00fc\u011f\u00fc vard\u0131r: Her yabanc\u0131 kelimenin onlar i\u00e7in tek bir anlam\u0131 vard\u0131r. E\u015f anlaml\u0131 kelimeler, yedek anlam onlarda son derece k\u0131tt\u0131r. \u201cAt\u201d onlarda her zaman sadece \u201catt\u0131r\u201d. Neden bir beygir, ayg\u0131r, t\u0131r\u0131sa al\u0131\u015ft\u0131r\u0131lm\u0131\u015f at, ya\u011f\u0131z\/kuzgun, yar\u0131\u015f at\u0131, k\u0131srak olamaz ki? \u201cSaray\u201d hep \u201csarayd\u0131r\u201d. Neden \u015fato, oda, kas\u0131r, k\u00f6\u015fk, bah\u00e7e i\u00e7inde yap\u0131lm\u0131\u015f s\u00fcsl\u00fc bir ev, konak, salon de\u011fil?\u201d diyerek s\u00f6zlerine devam eder \u00c7ukovski: \u201c\u00c7eviride \u00f6nemli bir husus say\u0131lan farkl\u0131 k\u00fclt\u00fcr\u00fcn aktar\u0131m\u0131, tan\u0131nmas\u0131 ve alg\u0131lanmas\u0131 yolunda \u00e7eviri bir eylem olarak misyon \u00fcstlenmektedir. Her t\u00fcrl\u00fc zorlu\u011fa ra\u011fmen \u00e7eviride dili, ifadeleri isabetli ve net olarak kullanma, \u00e7eviri eserlerini ba\u015far\u0131l\u0131 bir \u015fekilde kazand\u0131rmak k\u00fclt\u00fcrel payla\u015f\u0131m ve ileti\u015fim anlam\u0131nda \u00f6nemlidir. Edebi eserde k\u00fclt\u00fcr bile\u015fenleri, ulusal k\u00fclt\u00fcr\u00fcn ayr\u0131lmaz par\u00e7alar\u0131d\u0131r.\u201d Biraz a\u011f\u0131r bir ele\u015ftiri olmu\u015f, \u00f6yle de\u011fil mi? Yermi\u015f, hem de baya\u011f\u0131. Fakat \u00c7ukovski\u2019nin kendi d\u00fcnyas\u0131n\u0131n ya da ya\u015fad\u0131\u011f\u0131 \u015feylerin belki de diline yans\u0131ma \u015fekillerdir bunlar. Sonu\u00e7ta \u00c7ukovski ayn\u0131 zamanda bir uzmand\u0131r, bir yazard\u0131r. Tabii burada uzmanl\u0131k kavram\u0131 \u00fczerine de ayr\u0131ca d\u00fc\u015f\u00fcnmek gerekiyor. Belki de as\u0131l \u00f6nemli nokta \u00c7ukovski\u2019nin hakl\u0131 olup olmad\u0131\u011f\u0131 de\u011fil, neden bu tonla, sert bir \u00fcslupla \u00e7evirmenleri yerdi\u011fini d\u00fc\u015f\u00fcnmek. \u0130\u015fte o zaman dilin \u00f6tesini biraz da olsa insana ta\u015f\u0131yabiliriz. Biz de diller gibi sistemlerden olu\u015fmuyor muyuz sonu\u00e7ta? Onun bu sitemini ba\u015fka bir \u00e7evirmen \u00e7ok farkl\u0131 anlat\u0131rd\u0131. Buna hi\u00e7 \u015f\u00fcphe yok ve k\u00fclt\u00fcrleri birbirine aktaran, insanlar\u0131 birbirine yak\u0131nla\u015ft\u0131ran \u00e7evirmenler mesela d\u00fcnya romanc\u0131l\u0131\u011f\u0131n\u0131n \u00f6nemli bir \u00fc\u00e7lemesinin yazar\u0131 Necip Mahfuz bize hi\u00e7 gitmedi\u011fimiz, g\u00f6rmedi\u011fimiz Fi\u015favi kahvesini ve Nil nehrini gezdirirken bir yazardan \u00f6te \u00e7evirmen de\u011fil de nedir?<\/span><\/p>\n

<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Seyahate \u00e7\u0131kmadan \u00f6nce hesap kitap yapar, bavulumuzdaki e\u015fyalar\u0131 toparlar hatta \u00e7o\u011fu zaman \u201cevet, haz\u0131r\u0131m art\u0131k\u201d dedikten sonra bile o bavulu…<\/p>\n","protected":false},"author":1,"featured_media":17241,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[79,83,85],"tags":[],"class_list":["post-9979","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ceviri","category-kultur-ve-dil","category-kuresel-pazarlama","th-blog blog-single"],"yoast_head":"\nArap\u00e7a \u00c7eviri Nedir - Mirora Translation<\/title>\n<meta name=\"description\" content=\"Arap\u00e7a \u00e7eviri d\u00fcnyas\u0131n\u0131n, Arap\u00e7an\u0131n niteliklerini de \u00f6\u011frenmeden \u00f6nce k\u0131saca tarihine girmezsek bavulumuzun kapa\u011f\u0131n\u0131 asla kapatamayaca\u011f\u0131m\u0131z bir \u00e7\u0131kmaz\u0131n i\u00e7ine gireriz.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/mirora.com\/tr\/arapca-ceviri-nedir\/\" \/>\n<meta property=\"og:locale\" content=\"tr_TR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Arap\u00e7a \u00c7eviri Nedir - 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